CRY
OF THE CITY
1948......95
minutes
Victor Mature, Richard Conte, Debra Paget,
Fred Clark. Directed By Robert Siodmak
The
opening scene of Robert Siodmak's grim film noir depicts police
Lieutenants Candella (Victor Mature) and Collins (Fred Clark)
observing wounded cop killer Martin Rome (Richard Conte) receive
last rites. Though Rome recovers, he still must elude Candella
and Collins in his desperate attempt to escape his fate. Rome
has two visitors in the hospital: his girl friend Teena (Debra
Paget), who goes into hiding, and Niles (Barry Kroeger), a crooked
lawyer. Niles tries to bribe Rome to take a jewel theft and
homicide rap for a client of his since Rome is facing the electric
chair anyway. When Rome refuses, Niles threatens to frame Teena
as the client's female accomplice. Worried that Candella might
find Teena, Rome breaks out of jail and goes to Niles's office
to accept the offer, but he actually plans to leave the country
with Teena. When Niles reneges, Rome kills him, but not before
learning the accomplice's identity and discovering the stolen
jewels in the lawyer's safe. Rome finds the accomplice, Rose
Given (Hope Emerson), and offers to trade the jewelry for the
means to leave the country. She agrees, and they arrange a meeting
in the subway, but Rome informs Candella of the plan. When the
police arrive, Candella is shot, Rose is arrested, and Rome
escapes to meet up with Teena in a church. As he is trying to
convince Teena to run away with him, a wounded Candella shows
up and tells Teena how Rome uses people and that everyone who
helped in his escape will be paying a price. Teena rejects Rome,
and he runs again, only to be shot down by Candella. The moral
order is ultimately restored, but no one has been left unscarred.
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